Audio Is An Art… And A Science… But It’s Also About Anticipation
Obviously, anticipation alone doesn’t guarantee a great mix – you still need to have the fundamentals down. But it does greatly increase the potential of having an error-free event.
Obviously, anticipation alone doesn’t guarantee a great mix – you still need to have the fundamentals down. But it does greatly increase the potential of having an error-free event.
With careful planning and a good awareness of all stages of the process, you should be able to meet the deadline and ensure the finished product sounds as good as possible.
Step by step on the methodical repurposing of the classic console, transforming a full-sized model into a sidecar with half the input channel strips so that it would be an easier fit for many venues.
Previously, the author presented techniques that help put the “finishing touches” on mixes, but how do we get them in the right place to then apply those techniques?
Viewpoints from numerous mix engineers who are doing high-profile corporate shows and utilizing external plugins, including some who have been using them for many years and others who are recent converts because of new technology.
Five more of the most common live mix mistakes the author’s encountered when attending gigs as an audience member as well as some potential solutions to these everyday issues.
If you can influence sound sources in ways that sit better in a mix and support the entire sonic image, it can minimize challenges down the line.
Skills and techniques to understand (and implement) from the outset to avoid as many difficulties as possible.
A “to do list” to help set priorities, guide your preparation, and provide some answers ahead of time, setting you up for a win.
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