An ever-growing resource of audio reference materials.
Recording Study Hall Resources
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Sunday, December 30, 2007
Stereo Microphone Techniques
PSW Staff
12/30/07 08:28 AM,
0 Comments
One of the most popular specialized microphone techniques is stereo miking. This use of two or more microphones to create a stereo image will often give depth and spatial placement to an instrument or overall recording. There are a number…
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Microphone
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Digital Dharma of Audio A/D Converters
Dennis A. Bohn
12/30/07 08:46 AM,
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Among the many definitions for the wonderful word “dharma” is the essential function or nature of a thing. That is what this note is about: the essential function or nature of audio analog-to-digital (A/D) converters. Like everything else in the…
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Synchronization and Timecode Basics
Brent Hoover
12/30/07 09:43 AM,
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What is Timecode? Timecode is simply a way of recording a “time” along with either a visual or audio event. This allows you to say, “The beginning of the song is at 0 and the cymbal crash happened at 2…
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Critical Distance vs. Mic Placement
PSW Staff
12/30/07 10:36 AM,
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A microphone is the first component in any speech recording or transmission system. Its function is to convert acoustic sound waves into an equivalent electrical signal. This signal can then be recorded, transmitted, amplified, or modified. However, a microphone cannot…
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Maintaining Your CD/DVDs and Recovering Damaged Media
Patrick Killianey
12/30/07 11:35 AM,
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Recently, I brought some aspiring engineers to a trade show where one such antique was on display. They described it as “way cool” and proceeded to explain to each other how this was obviously James Bond’s personal rig, since it…
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Sunday, January 06, 2008
Transcript: Talking with Skywalker’s Leslie Ann Jones
Keith Hatschek
01/06/08 02:09 PM,
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“Use your ears, Luke—use your ears.” Leslie Ann Jones is director of music recording and scoring at Skywalker Sound, the recording and production facilities built by George Lucas in Marin County, California. She has been a recording and mixing engineer…
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Transcript: Talking with Rupert Neve
PSW Staff
01/06/08 02:19 PM,
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Fletcher: Well, this man really needs no introduction. Pretty much anyone who is involved with audio production seems to say his name a few times a day in relation to something. Be it consoles we would like to work on,…
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Video Sync for Audio Minds
Andrew Dawson
01/06/08 02:45 PM,
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Have you decided to take the big plunge into pictures by turning your once humble audio room into a full-fledged video facility? Or perhaps you merely wish to have some basic audio-for-video capabilities so you can do audio for TV…
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Hamilton Brosious: A Pro Audio Sales Pioneer
Harry Klane
01/06/08 03:28 PM,
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Knowledge is Power Before we first said hello, Hamilton had already investigated my background. He knew about some of my strengths and weaknesses and had thought out how they might fit within Audiotechniques’ business plan. His lifelong commitment to preparation…
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Monday, December 15, 2008
Recording Tip: Successfully Dealing With A Dead Room
Barry Rudolph
12/15/08 06:53 AM,
1 Comment
Many studios built in the 1970’s were designed NOT to have any acoustic influence on the recorded sound produced in them. This was accomplished by over-deadening walls, floors and ceilings so no sound waves (leakage) would reflect and add (or…
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Monday, February 02, 2009
Unity Gain and Impedance Matching
Dennis A. Bohn
02/02/09 09:10 AM,
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Introduction This paper discusses the pitfalls (often subtle) of our industry’s failure to define and standardize what “unity gain” means, and the conditions necessary to measure it. It further discusses how people improperly use one piece of misinformation (impedance matching)…
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Wednesday, February 04, 2009
Ten Reasons Why Church Sound Systems Cost More
Pat Brown
02/04/09 05:16 PM,
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A letter to a church building committee might read: Thank you again for the opportunity to provide you with a proposal for the sound system for your house of worship. While we appreciate your interest in “good stewardship” in the…
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Sound Reinforcement
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Monday, February 09, 2009
Inexpensive Studio Monitoring Upgrades
PSW Staff
02/09/09 08:06 AM,
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“I recently purchased a really good (expensive) set of studio monitors for my studio, but I still find that my mixes sound drastically different as I listen to them on other systems. What am I missing?” While the studio monitors…
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Loudspeaker
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Wednesday, March 11, 2009
Recording Microphone Techniques To Produce Warm, Spacious Stereo
Bruce Bartlett
03/11/09 04:34 PM,
2 Comments
Renowned recording engineers Jack Renner of Telarc Records and Marc Aubort of Nonesuch Records describe spaced omnidirectional microphones as their favorite technique for stereo recording of symphonic ensembles. Of all the stereo mic techniques available, the “spaced-omni” method is especially…
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Thursday, March 19, 2009
Microphone Modelers: A $1 Million Mic Closet In A Digital Box?
Ty Ford
03/19/09 10:49 AM,
1 Comment
In the midst of talking about mics and mic preamps, the timely subject of mic modeling hardware and software has been raised. So, here’s my take on mic modelers. They may change the sound of the audio that passes through…
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Software
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Thursday, March 26, 2009
Microphone Techniques For Drums In Contemporary Worship Environments
Tom Young
03/26/09 04:43 PM,

8 Comments
Mic’ing drums in a contemporary worship environment is a learned craft and skill that relies on technical know-how, a musical ear, partnership with musicians (and the drummer in particular), favorable acoustics, well-behaved loudspeakers, reasonable financial investment, and lots of patience.…
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Stage
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Thursday, May 21, 2009
Ancients Stealing Our Inventions? What We Can Learn From Rick Nelson Recordings
Bruce Bartlett
05/21/09 12:17 PM,
2 Comments
From 1957 to 1962, pop and rockabilly star Rick Nelson recorded a string of Number 1 hits such as Be Bop Baby, Believe What You Say, Poor Little Fool, Lonesome Town, It’s Late, Stood Up, Hello Mary Lou, and Travelin’…
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Friday, May 22, 2009
Time Is On Your Side (If You Want It To Be) With Sound System Alignment
Tom Young
05/22/09 03:46 PM,
1 Comment
When traveling to different time zones, we need to correct our time-keeping tools in order to align our activities to the local standard time. Very simple. Likewise in sound reinforcement systems, we often encounter multiple sources of misalignment, albeit in…
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Line Array •
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Tuesday, May 26, 2009
The Benefits Of Switch-Mode Power Amplifier Technology
Bruce Bartlett
05/26/09 05:02 PM,
1 Comment
It’s an answer to a sound company’s prayers: low-weight, cool-running power amplifiers with low current draw. Look for switching power supplies in power amps, and switch-mode power amplifiers. Compared to a standard amplifier power supply, the benefits of a switch-mode…
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Monday, June 08, 2009
Accuracy Versus Realism: Simulating The “Human” Side Of Audio Measurement
Pat Brown
06/08/09 12:30 PM,
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The human auditory system is equipped with two input ports - left and right ears. This “binaural” processing system provides us with the ability to localize where sound is coming from, something that a one-eared listener would have difficulty in…
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Technician