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  • Re: 01V96 Rack Mount

    Bruce Gering wrote on Thu, 02 September 2010 12:42

    I don't know why you would go through all the trouble and expense of a DIY project, when you can get one from Audiopile for about the same cost as all you materials and time.

    http://www.audiopile.net/products/Cases/CU_series_roadracks/ CU-R-22_series/CRU-R-22_series_cutsheet.shtml

    I have one for an 01V96 that I love!


    I don't know why the snarky answer when I am looking for information not criticism.
    Perhaps telling me why you like it would help me. Shipping one from Washington to New England is expensive and I may be able to get what I need locally for the same or less. I use many EWI products btw.

    I am interested in information about how much extra space is available in various racks for all the cables or what issues there are with mounting stuff. These will help me choose the right unit.

  • Re: Chorus on vocal mixes

    Jack Herlong wrote on Thu, 02 September 2010 12:06

    An experienced club musician recently attended one of my band's gigs. After hearing us, he mentioned that we should add some chorus to our vocal mix(in addition to reverb).

    Does anyone else do this?


    Chorus is commonly used in the studio to fatten up a thin sounding vocal... Chorus AKA ADT "Automatic Double Tracking" adds a slightly delayed version of the original with a slowly varying delay so it sounds like two vocals singing at roughly the same time but not identical versions of one vocal. Generally this is used to support a thin vocal. Properly done it shouldn't hurt, I don't know that it's critical path to make good sound. It could be useful to add a little production value to the sound. or not.

    JR

  • Re: PM5D Clipping at -12

    John Roberts wrote on Thu, 02 September 2010 13:47


    Looking at that chart if looks to me like the buses are at unity gain, but whatever... there are almost as many internal gain structures as console companies, and I have personally used several different variants myself depending on things like target application and number of inputs.

    JR



    Well, here's what I know. If you PFL an input, set it to meter as 0 dB, raise the channel fader to 0, group meter, to 0 and master fader to 0, the signal is 20 dB down at the master fader meter.

    How that is accomplished I guess is not important, and as you say the designer has nudged me in the right direction. By padding the faders for the channel and group 10 dB, each mix (group, master) has 10dB of summing headroom.

    If one were to mix on this board with all the inputs at -20, the output could be a lot lowere than where you'd expect it.

  • Re: compressor settings for drums

    Thom "Fig" Fiegle wrote on Thu, 02 September 2010 12:43

    great drum sounds come from great sounding drums, and great drummers.


    I agree 100%!!! You'll get no argument from me on that.

    But as an engineer we all know that the gear used to record, process, transmit or otherwise tweak the sounds going through it makes a big difference. My SSL reference is only due to the fact that "The SSL 4000 Series console is the model that’s historically, mixed more hits than all other consoles combined... ever.” That's been proven.

    I do happen to like what the SSL does to a signal upon mixdown but I track through vintage Neve, API, Telefunken or other similar consoles and modules.

  • Re: "Best" overhead and/or hat mic choice for live?

    Shure KSM27 can be had on the used market for $200 each if you look carefully. They also make an excellent mic for guitar cabinets for guitarists with good tone.

    AKG C535 is a great hi-hat mic and can even work as a nice vocal mic as well.

  • Re: PM5D Clipping at -12

    Ryan Lantzy wrote on Thu, 02 September 2010 12:29



    I know for certain this was the case on the specific Soundcraft I once owned.


    index.php/fa/32358/0/



    Looking at that chart if looks to me like the buses are at unity gain, but whatever... there are almost as many internal gain structures as console companies, and I have personally used several different variants myself depending on things like target application and number of inputs.

    JR

  • Re: Don't give yourself away!

    Adam Schaible wrote on Wed, 01 September 2010 21:44

    Randall Cook wrote on Wed, 01 September 2010 15:10

    Adam Schaible wrote on Wed, 01 September 2010 15:07

    I don't think most of us aspire to be a kitchen remodeler...


    It's not always about what you aspire to be. There are many other variables that play into a person's "chosen" profession.


    This is what gets annoying, you're totally missing the point. Most people don't start a business and invest a bunch of cash with hopes they can earn as much as a kitchen remodeler. I understand we may not reach our 'goals' but that's a bad way to look at a business.

    I think what it is -- you're just not in business mode yet. Totally understandable.


    +1 Big Time!!

  • Re: compressor settings for drums

    No fan of SSL, is all. Sounds Sorta Lousy - to each his own though, ya know.

    IME, great drum sounds come from great sounding drums, and great drummers. If you feel like "blaming" that on SSL (or any other piece of gear) I won't argue, but I also know better.

  • Re: Firefox crashing and burning?

    Geri O'Neil wrote on Thu, 02 September 2010 13:10

    Thanx, Silas, I'll certainly try the safe mode option.

    The only thing I should have added is that in all cases, Firefox never shows up in the task windows when it says it's already open.

    Again, thanx for the help. I'll report the results later.

    Geri O


    It won't show up in the task window, but it will still show up as a process though under the processes tab as firefox.exe.

    I have actually had this happen when running bad or incompatible plugins. Have you tried slimming out the selection? I often have issues with the PDF reader plugin.

    I think the new FF beta allows you to launch the plugins as a separate process so they can be terminated without crashing the browser.

  • Re: compressor settings for drums

    Thom "Fig" Fiegle wrote on Thu, 02 September 2010 12:29

    Robert "Void" Caprio wrote on Thu, 02 September 2010 12:26

    and every great drum sound you've heard on records the last 25 or so years is probably because of the SSL.



    I think I'm gonna be sick.



    I don't mean all the sampled and replaced bull so prevalent today... I mean the real good drum sounds. Might have to go back further than 25 years but I'm talking about the Phil Collins/Hugh Padgham and related stuff. Listen to the drum sound on Julia Fordham's "Manhattan Skyline" for a good example.

  • Re: PM5D Clipping at -12

    John Roberts wrote on Tue, 31 August 2010 16:49

    Ryan Lantzy wrote on Tue, 31 August 2010 15:09

    I thought that many analog consoles did this. I.e. having the summing busses -10 or -15 dB down from the next stage. I know some Soundcraft consoles have the input faders -10 from the groups and groups are -10 from the masters.



    Nah...While there are different strategies for managing bus headroom, Midas seems to be on their own little island when it comes to console metering. While I am a serious student of metering for consoles I never had a midas on the bench to figure out what exactly they were doing, nor did I ever feel compelled to.


    I know for certain this was the case on the specific Soundcraft I once owned.


    index.php/fa/32358/0/

  • Re: compressor settings for drums

    Robert "Void" Caprio wrote on Thu, 02 September 2010 12:26

    and every great drum sound you've heard on records the last 25 or so years is probably because of the SSL.



    I think I'm gonna be sick.